Laurie King's 1993 debut novel, A Grave Talent, won American and British honors for Best First Crime Novel, and it quickly established a loyal following for her series featuring San Francisco detectives Kate Martinelli and Alonzo Hawkins. She followed up that early success with a clever expansion of the Sherlock Holmes mythos, The Beekeeper's Apprentice. That novel, and the three that succeeded it, partnered Holmes with Mary Russell—a woman very much Holmes's equal in spirit and mind despite her young age. A Darker Place is King's first book to break from these series as she continues to pioneer new territory between literary and thriller fiction.

The success of A Darker Place comes from its slow revelation of the back story, which illuminates the major players: Anne Waverly, Glen McCarthy, and the people of Change. King brilliantly portrays the psychological split that drives Anne to self-destruction, both in her sexual relationships and in her self-effacing work for the FBI. Though a respected university professor and expert on cults, Anne Waverly was once a cultist herself. For 18 years she has struggled with personal tragedies that wrenched her from that experience, and she has dedicated herself (through academic labor and her covert work for the FBI) to saving the lives of others who become embroiled in religious fanaticism. Now, despite a vow that she has ended her relationship with the FBI and its work in defusing cults, she returns for one last effort at the request of Agent McCarthy. Anne cuts her hair, changes her name, and gradually loses herself in her new role as a member of Change. But her investigation soon becomes a journey into her own psyche, into the dark places of her past, as she sees her own life played out again in the members of the cult. —Patrick O'Kelley

"The thing about madness was, it just took so damn much energy, and it was so thoroughly tedious in the meantime." Master woodworker Rae Newborn knows madness intimately, with every bone, every pore, every particle of her being. At 52, with three suicide attempts, extended hospitalizations, the death of her husband and daughter, and a vicious attack behind her, Rae has come to Folly Island, far out in the Straits of Juan de Fuca, to rebuild her life by building a house:She would pull herself together, she would go and rebuild Desmond's house, she would lift his walls and dwell within them quietly all the rest of her days. Everything that House was lay there waiting for her to take it up: House as shelter, House as permanence, House as a continuation and a legacy, comfort and challenge, safety and beauty, symbol and reality joined as one. Bequeathed to Rae by Desmond Newborn, a great-uncle she never met, Folly Island is lovely indeed. But when Rae discovers Desmond's journal in the 70-year-old ruins of his house, she learns that Desmond had his own internal horrors to confront on the island. As she labors in solitude, her prickly nature deterring all but the most determined of her would-be neighbors, it's not just her well-being that's at stake. Rae must prove herself sane if she is to have any contact with her beloved granddaughter Petra. So when the "skin-crawling feeling of being watched" doesn't fade, she does her best to ignore it. But does paranoia have its roots in reality? And is Rae doomed to repeat her ancestor's tragic end?

So effectively does King weave together past and present—the shrouded history of Desmond's life and death on Folly, and the tense, dusty, exhilaratingly panicky account of Rae's wrestling with old demons and new timber—that the future seems less important than the author might have wished. In other words, the eventual unmasking of Rae's watcher pales in comparison to the gradual revelation of Rae herself within King's haunted and haunting narrative. But with such a strong character and such moodily lovely prose, readers shouldn't miss the denouement-driven trappings of standard suspense. —Kelly Flynn

Laurie R. King’s bestselling mystery series featuring Mary Russell and her husband and partner, Sherlock Holmes, is beloved by readers and acclaimed by critics the world over. Now the illustrious duo returns for their most dangerous exploit yet, in a rich and atmospheric tale that takes them to India to save the life of one of literature’s most fabled heroes.

It’s the second day of the new year, 1924, and Mary Russell is settling in for a much-needed rest with her husband, Sherlock Holmes. But the fragile peace will be fleeting—for a visit with Holmes’s gravely ill brother, Mycroft, brings news of an intrigue that is sure to halt their respite. Mycroft, who has ties to the highest levels of the government, has just received a strange package. The oilskin-wrapped packet contains the papers of a missing English spy named Kimball O’Hara—indeed, the same Kimball who served as the inspiration for Rudyard Kipling’s famed Kim.
An orphaned English boy turned loose in India, Kim long used his cunning to spy for the Crown. But after inexplicably withdrawing from the “Great Game” of border espionage, he’s gone missing and is feared taken hostage—or even killed.

When Russell learns of Holmes’s own secret friendship with Kim some thirty years before, she knows the die is cast: she will accompany her husband to India to search for the missing operative. But even before they arrive, danger will show its face in everything from a suspicious passenger on board their steamer to an “accident” that very nearly claims their lives. Once in India, Russell and Holmes must travel incognito—no small task for the English lady and her lanky companion. But after a twist of fate forces the couple to part ways, Russell learns that in this faraway place it’s often impossible to tell friend from foe—and that some games must be played out until their deadly end.

Showcasing King’s masterful plotting and skill at making history leap from the page, The Game brings alive an India fraught with unrest and poised for change—and an unpredictable mystery with brilliance and character to match.

This gripping debut of the Kate Martinelli mystery series won the Edgar Award for Best First Mystery, generating wide critical acclaim and moving Laurie R. King into the upper tier of the genre. As A Grave Talent begins, the unthinkable has happened in a small community outside of San Francisco. A string of shocking murders has occurred, each victim an innocent child. For Detective Kate Martinelli, just promoted to Homicide and paired with a seasoned cop who's less than thrilled to be handed a green partner, it's going to be a difficult case. Then the detectives receive what appears to be a case-breaking lead: it seems that one of the residents of this odd, close-knit colony is Vaun Adams, arguably the century's greatest painter of women, a man, as it turns out, with a sinister secret. For behind the brushes and canvases also stands a notorious felon once convicted of strangling a little girl. What really happened on that day of savage violence eighteen years ago? To bring a murderer to justice, Kate must delve into the artist's dark past—even if she knows it means losing everything she holds dear.

A lost heir, murder most foul, and the unexpected return of two old friends start Mary Russell and Sherlock Holmes—spouses and intellectual equals—on an investigation that takes them from the trenches of World War I France to the heights of English society. In this sixth entry in Laurie King's award-winning series, fans will find the Baker Street sleuth mellowed by age and marriage yet still in possession of his deductive abilities and acerbic wit, and, in Mary Russell, a surprisingly apt companion for the legendary detective.

Justice Hall brings back two colorful characters from earlier in the series: Bedouins Ali and Mahmoud Hazr (now known as Alistair and Marsh), who last appeared in O Jerusalem. At their request, Holmes and Russell take up the trail of the doomed heir to Justice Hall, who has been executed for cowardice in the bloody trenches of France. As the detectives strive to make sense of his death and to locate another heir to the family title, an attempt is made on the life of the man who's soon to be welcomed as the new duke. Holmes and Russell soon realize something sinister is afoot, and that they must untangle a web of deceit to discover which of the many suspects is taking steps to shorten the line of inheritance. Once again, King's satisfying tale stays true to the spirit of Conan Doyle's original stories while extending them into new terrain. —Benjamin Reese

Sherlock Holmes and his scholarly companion Mary Russell are caught up in an exciting mystery when an archaeologist leaves them with a treasured find, a papyrus supposedly written by Mary Magdalene. When the archaeoligist winds up dead and someone attempts to make off with the artifact, Holmes and Russel become embroiled in a rollicking story filled with political intrigue and highbrow sleuthing. The level of writing hasn't been higher in this Laurie King series.

Mary Russell and her husband Sherlock Holmes are back in Laurie R. King’s highly acclaimed New York Times bestselling mystery series. And this time the first couple of detection pair up to unlock the buried memory of a shocking crime with the power to kill again–lost somewhere in Russell’s own past.

After departing Bombay by ship, Mary Russell and her husband Sherlock Holmes are en route to the bustling modern city of San Francisco. There, Mary will settle some legal affairs surrounding the inheritance of her family’s old estate. But the closer they get to port, the more Mary finds herself prey to troubling dreams and irrational behavior–a point not lost on Holmes, much to Russell’s annoyance.

In 1906, when Mary was six, San Francisco was devastated by an earthquake and a raging fire that reduced the city to rubble. For years, Mary has denied any memory of the catastrophe that for days turned the fabled streets into hell on earth. But Holmes suspects that some hidden trauma connected with the “unforgettable” catastrophe may be the real culprit responsible for Mary’s memory lapse. And no sooner do they begin to familiarize themselves with the particulars of the Russell estate than it becomes apparent that whatever unpleasantness Mary has forgotten, it hasn’t forgotten her. Why does her father’s will forbid access to the house except in the presence of immediate family? Why did someone break in, then take nothing of any value? And why is Russell herself targeted for assassination?

The more questions they ask of Mary’s past, the more people from that past turn out to have died violent, unexplained deaths. Now, with the aid of a hard-boiled young detective and crime writer named Hammett, Russell and Holmes find themselves embroiled in a mystery that leads them through the winding streets of Chinatown to the unspoken secrets of a parent’s marriage and the tragic car “accident” that a fourteen-year-old Mary alone survived–an accident that may not have been an accident at all. What Russell is about to discover is that even a forgotten past never dies…and it can kill again.

In The Beekeeper's Apprentice, Laurie R. King came up with a completely original story that had Sherlock Holmes as one of its principal characters but was in no way part of the Holmes canon. The focus of that book was a young woman, Mary Russell. Now in A Monstrous Regiment of Women, Mary Russell's adventures as a student of the famous detective continue. A series of murders claims members of a strange suffrage organization's wealthy young female volunteers, and Mary, with Holmes in the background, investigates, little knowing what danger she personally faces.

Laurie R. King is also the author of the Edgar Award-winning novel A Grave Talent.

In The Beekeeper's Apprentice, Laurie R. King came up with a completely original story that had Sherlock Holmes as one of its principal characters but was in no way part of the Holmes canon. The focus of that book was a young woman, Mary Russell. Now in A Monstrous Regiment of Women, Mary Russell's adventures as a student of the famous detective continue. A series of murders claims members of a strange suffrage organization's wealthy young female volunteers, and Mary, with Holmes in the background, investigates, little knowing what danger she personally faces.

Laurie R. King is also the author of the Edgar Award-winning novel A Grave Talent.

Longtime fans of Arthur Conan Doyle's fictional detective, Sherlock Holmes, might think that their favorite sleuth met his fate at the hands of Dr. Moriarty at the Reichenbach Falls. Anyone who believes that, however, obviously hasn't read Laurie R. King's delightful series featuring Holmes and his wife(!), Mary Russell. In The Beekeeper's Apprentice, Holmes succumbs to the Oxford scholar's charms; now, in The Moor, fourth in the series, Holmes and Russell are summoned to Devonshire to solve a tin miner's mysterious death. Lonely Dartmoor provides plenty of opportunities for King to both relate the haunting legends of that part of the world and offer some amusing revisions to one of Holmes's most famous cases, The Hound of the Baskervilles. Though Holmes purists might resent the liberties taken with their hero, readers in search of a strong female protagonist, some fascinating local history, and spooky ambience will enjoy The Moor.

Laurie King's first Kate Martinelli mystery, A Grave Talent, won Best First Novel honors from both the Mystery Writers of America and the British Crime Writers' Association. In this fourth installment in the series, King once again displays her talent as both a prose stylist and a masterful plotter in a case that proves to be personally harrowing for her heroine.

While attending a school play one evening, Detective Martinelli gets what appears to be a routine page about a homicide. The murder victim is James Larsen, an airport baggage handler found in the Presidio, handcuffed, strangled, and with stun-gun burns on his chest. And apparently he had a sweet tooth, given the candies found in his pocket. When it comes out that Larsen was an abusive husband whose wife now lives in a shelter, Martinelli's list of suspects takes a distasteful turn. Could the perpetrator be connected with the Ladies of Perpetual Disgruntlement, the group of secretive women (or men) who've lately been terrorizing abusers and rapists around the city with their humorous, updated version of the tar-and-feather treatment? Could it be Larsen's wife, a mousy woman who, nonetheless, is clearly harboring some secrets? Could it be Roz Hall, Martinelli's social crusading feminist minister friend? In each case, rage would be justified, but not murder.

When two additional murder victims with similar profiles—and pockets full of candy—surface, the San Francisco media takes an interest in this latest instance of vigilante justice. The investigation is further complicated by Roz's very public interest in the case of a young Indian bride who she believes was murdered. As Martinelli and her partner Al Hawkins try to sort through the mire of emotional entanglements, personal politics, and public scrutiny, King deftly maneuvers her tale through several carefully crafted turns. The novel is also threaded with Hindu spirituality and images of the dark goddess Kali, a vengeful figure perfectly appropriate in a novel about victimized women striking back. —Patrick O'Kelley

Although O Jerusalem is Laurie King's fifth book in her Holmes-Russell series, it actually takes us back to the era of her first book, The Beekeeper's Apprentice. Perhaps King was afraid that her characters, Mary Russell and Sherlock Holmes, were becoming too cozy as an old married couple, and she wanted to recreate the edgy sexual tension of their first encounter.

It's 1918. Nineteen-year-old Mary and her fiftysomething mentor are forced to flee England to escape a deadly adversary. Sherlock's well-connected brother Mycroft sends them to Palestine to do some international sleuthing. Here, a series of murders threatens the fragile peace.

Laurie King connects us, through details of language, custom, history, and sensual impressions, to this very alien environment. Russell, Holmes, and two marvelously imagined Arab guides named Mahmoud and Ali trek through the desert and visit ancient monasteries clinging like anthills to cliffs. They also find time to take tea with the British military legend Allenby in Haifa and skulk through or under the streets of Jerusalem. King puts us into each scene so quickly and completely that her narrative flow never falters.

Stepping back in time also gives King a chance to show us Holmes through the eyes of a Russell not yet as full of love as a honeymooner, nor as complacent as a comfortable wife. "There it was—sardonic, superior, infuriating," Mary says about Holmes's voice at one point.

Wisdom is knowing when, and how much, to shake things up—even in a successful series. Laurie King is a wise woman indeed. —Dick Adler